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Preamp Compressor

Preamps Buying Guide

While somebody trying to learn a instrument like guitar, they primarily focused on how to play the musical instrument where as the effects or normally known as FX is a secondary learning factor. An effect can be distorting, bass effect or some other kind of symphony. Buying a effect or FX box I a great way to spice up your music, but should you wish to boost your effect, you must have a preamp ; preamp is the first part of the whole word pre-amplifier.

Now the question is - which gadget should I buy? a preamp or a channel strip? Well, it is a hard question. You must decide, in which purpose you want to use your gadget. Both the gadgets had some advantages and disadvantages. A channel strip is a combination of signal processing tools including a preamp, compressor, EQ, enhancer as well as, it may record the vocals. In short, it is a convenient and inexpensive tool for professional vocal recording. On the other hand, preamps convey the signal into recording devices followed by EQ, Compressors and other processing devices. It is rather costly and need lots of experience to manage all sorts of things efficiently. The main reason of the channel strips popularity is different manufacturer develop their products with different sound variants. Not only that, two different units can produce very unparalleled sound.

Tubs vs. Solid state preamps.

There are numbers of players and sound engineers ask the question does the tube sounds better than solid state preamps? But to be very frank the answer is not very much clear. Here are some basic features, hope that will help you to take proper buying decision.
First things first, The quality issue a poorly designed tube preamp definitely sounds bad, in addition a badly manufactured solid state preamp make bad sound similar to previous. It is a simple quality issue. If both of the properly designed, with low distortion through their normal amplitude range, only then the difference will clear to you. Usually, solid state device tend to abruptly transition from low distortion to extreme distortion. In tube preamps, the distortion is
even order harmonics with the second harmonic dominant. In short, it will make your musical instrument more musical. Even greater, it will add a musical element in your sound experience.

How Can Multiple preamps help my studio and me? .

Well, the microphone and preamps usually used in recording integrated with mix console. Here is some key points you must consider.

- Single high quality preamp can give you much better recoding and music experience in an effective manner.
- Numbers of preamps can provide you a sophisticated and robust tool for recording vocals, guitars and other instruments.
- Preamps can handle numbers of microphone. There could possibly be numbers of preamps available in the market, which has the ability to do that such as.
Avalon AD2022 and many others.

- Remote recording using preamps some symphony orchestras using 2-chennel preamps like Amek Neve 9098 DMA for more microphone.
intensive environment.

Why some preamps more expensive than others? .

The explanation is not just one, there is numbers of criteria can affect the preamps price. Better peripherals, overall quality and of course a great brand has a great price. Maximum quality preamps manufactured with gold plated connectors. Enhanced electronics parts and liable for the cost. Like excellent quality of resistors, capacitors, inductors, connectors has a handsome price. So, if a product manufactured with those goods, surely it cost high than others.

Ultimately, what you must look before purchase one? If you need it for vocal recording, you must check the following issues impendence, gain and phantom power etc apart form it, if you need it for recording instrumentals, you must check miking approaches.

About the Author

Avijitm M. Is  Marketing Consultant of - http://rkaudio.com/

Tube-Tech MMC 1A Mic Preamp and Multi-Band Compressor $4590 Tube-Tech MMC 1A Mic Preamp and Multi-Band Compressor

Tube-Tech Mmc 1A Mic Preamp And Multi-Band Compressor $4590 Tube-Tech MMC 1A Mic Preamp and Multi-Band Compressor

Used Rockman Model 100 Guitar Compressor Preamp 10051 9.0 615 $179.99 In Store Used USED ROCKMAN MODEL 100 GUITAR COMPRESSOR PREAMP 10051 9.0 615

Used Universal Audio Ua La610 Mkii Mic Microphone Preamp Compressor @778 $1249.99 In Store Used USED UNIVERSAL AUDIO UA LA610 MKII MIC MICROPHONE PREAMP COMPRESSOR @778

TL Audio Ivory 5050 Mono Tube Preamp and Compressor $659 The Ivory 5050 came directly from user requests for a simple, yet great-sounding, valve front end and boasts the winning combination of a mic/line/instrument preamp and mono compressor, making it a very cost-effective way of processing your audio sources. The Ivory 5050 now features extras including a 30dB pad, hard/soft knee compression modes, a fully balanced line output, and an optional digital output.The 5050 compressor features two valve stages, one in the preamp circuit, and one in the gain control element of the compressor. These Sovtek valve stages are run from a stabilized 150V DC power supply. So whether it's your best microphone, your vintage Strat, or your latest sample--don't trust it with anything less than the TL Audio 5050.About TL Audio TL Audio began manufacturing audio products in 1990, when the company - founded by Tony Larking - was largely involved in the restoration and re-selling of vintage equipment such as Neve and Trident recording consoles. The first TL Audio products were original Neve EQ modules, which were taken principally from broadcast consoles and re-packaged to make them suitable for music production studios. Shortly after this Tony Larking was introduced to David Kempson, a leading designer at Neve for nine years.By 1993 the demand for used valve outboard equipment had become very strong but most models such as the original Pultec and Fairchild valve devices were already extremely rare and expensive. There appeared an obvious gap in the market for brand new affordable valve products and the result was TL Audio's first valve product - the EQ-1 Dual Valve Equalizer. This product revolutionized the studio market by offering reliable, flexible, great sounding valve processing that was within the budget of most studios. The EQ-1 quickly attracted the interest of mainstream engineer/producers, with the first two production models going to Roy Thomas Baker (who had produced many of Queen and Foreigner's early recordings) and Chris Porter (who was working with George Michael and Take That).The EQ-1 was the first of what became known as the 'Classic' range, and was followed by what has become possibly TL Audio's best known product - the C-1 Dual Valve Compressor, which shot to stardom as Chris Fogel's mixdown compressor on Alanis Morissette's multi-million selling 'Jagged Little Pill' album. The Ivory SeriesWith the Classic range expanding to include more models, the growth in popularity of affordable digital recorders and mixers heightened the appetite for valve processing, which led to lower-cost ranges such as the Ivory models. The Ivory series of preamps, equalizers and dynamics devices has become TL Audio's best selling range of products to date. The Ivory Series satisfied all the criteria that we knew customers were looking for: a great sound, flexibility and user friendliness, all with a smaller price

Tl Audio Ivory 5050 Mono Tube Preamp And Compressor $659 The Ivory 5050 came directly from user requests for a simple, yet great-sounding, valve front end and boasts the winning combination of a mic/line/instrument preamp and mono compressor, making it a very cost-effective way of processing your audio sources. The Ivory 5050 now features extras including a 30dB pad, hard/soft knee compression modes, a fully balanced line output, and an optional digital output.The 5050 compressor features two valve stages, one in the preamp circuit, and one in the gain control element of the compressor. These Sovtek valve stages are run from a stabilized 150V DC power supply. So whether it's your best microphone, your vintage Strat, or your latest sample--don't trust it with anything less than the TL Audio 5050.About TL Audio TL Audio began manufacturing audio products in 1990, when the company - founded by Tony Larking - was largely involved in the restoration and re-selling of vintage equipment such as Neve and Trident recording consoles. The first TL Audio products were original Neve EQ modules, which were taken principally from broadcast consoles and re-packaged to make them suitable for music production studios. Shortly after this Tony Larking was introduced to David Kempson, a leading designer at Neve for nine years.By 1993 the demand for used valve outboard equipment had become very strong but most models such as the original Pultec and Fairchild valve devices were already extremely rare and expensive. There appeared an obvious gap in the market for brand new affordable valve products and the result was TL Audio's first valve product - the EQ-1 Dual Valve Equalizer. This product revolutionized the studio market by offering reliable, flexible, great sounding valve processing that was within the budget of most studios. The EQ-1 quickly attracted the interest of mainstream engineer/producers, with the first two production models going to Roy Thomas Baker (who had produced many of Queen and Foreigner's early recordings) and Chris Porter (who was working with George Michael and Take That).The EQ-1 was the first of what became known as the 'Classic' range, and was followed by what has become possibly TL Audio's best known product - the C-1 Dual Valve Compressor, which shot to stardom as Chris Fogel's mixdown compressor on Alanis Morissette's multi-million selling 'Jagged Little Pill' album. The Ivory SeriesWith the Classic range expanding to include more models, the growth in popularity of affordable digital recorders and mixers heightened the appetite for valve processing, which led to lower-cost ranges such as the Ivory models. The Ivory series of preamps, equalizers and dynamics devices has become TL Audio's best selling range of products to date. The Ivory Series satisfied all the criteria that we knew customers were looking for: a great sound, flexibility and user friendliness, all with a smaller price tag!Today, TL Audio has become one of the most respected names currently manufacturing Pro Audio equipment. Acco

SWR Marcus Miller Bass Preamp $782.99 SWR partnered with Marcus Miller to create this bass preamp. Millerarguably the most influential bassist of his generationconsiders this SWR bass preap the ultimate tool for bassists. Marcus says it's "The missing link between your bass and a great sound!" Working closely with SWR engineers, Marcus painstakingly customized the features of this preamp to accommodate his own distinctive array of tones, while taking into consideration the needs of bassists of all styles. The resulting SWR Marcus Miller Bass Preamp is simply one of the most versatile bass products available.Marcus Miller-modified Aural EnhancerComplete EQ Bypass capability (including Aural Enhancer)Bass Intensifier circuitryAll-tube Direct OutSWR studio-quality, tube-driven compressor"Comp-Position" - allows compression pre- or post-EQBoost feature with compressor blendFive-year transferable warrantyMade in the USA

Swr Marcus Miller Bass Preamp $899.99 SWR partnered with Marcus Miller to create this bass preamp. Millerarguably the most influential bassist of his generationconsiders this SWR bass preap the ultimate tool for bassists. Marcus says it's "The missing link between your bass and a great sound!" Working closely with SWR engineers, Marcus painstakingly customized the features of this preamp to accommodate his own distinctive array of tones, while taking into consideration the needs of bassists of all styles. The resulting SWR Marcus Miller Bass Preamp is simply one of the most versatile bass products available.Marcus Miller-modified Aural EnhancerComplete EQ Bypass capability (including Aural Enhancer)Bass Intensifier circuitryAll-tube Direct OutSWR studio-quality, tube-driven compressor"Comp-Position" - allows compression pre- or post-EQBoost feature with compressor blendFive-year transferable warrantyMade in the USA

Eden WP-100 Navigator Bass Preamp $699.99 The exciting Eden WP-100 Navigator Bass Preamp features a tube input stage, compressor with variable threshold and rate controls, tube character control, enhance control, and Eden's famous semi-parametric EQ. The WP-100 Bass Preamp also features D.I. output control on the front of the unit, a mono pre-EQ loop, stereo post-EQ, side-chain loop with front panel blend pot, variable crossover, stereo LED ouptut meters, tuner out, stereo and mono XLR ouptuts, and a defeatable limiter. Eden duplicates front-panel controls for compressor defeat, enhance, mute-to-tune, and turbo boost on a footswitch with lighted indicators that you connect to the WP-100 Navigator Bass Preamp via a standard MIDI cable.Tube input stage Compressor with variable threshold and rate controls Tube character control Enhance control Semi-parametric EQ DI output control on the front of the unit Mono pre-EQ loop, Stereo post-EQ Side-chain loop with front panel blend pot Variable crossover Stereo LED output meters Tuner out Stereo and mono XLR ouptuts Defeatable limiter Footswitch control for compressor defeat, enhance, mute-to-tune, and turbo boost 17"W x 3.5"H x 12"D

Eden Wp-100 Navigator Bass Preamp $699.99 The exciting Eden WP-100 Navigator Bass Preamp features a tube input stage, compressor with variable threshold and rate controls, tube character control, enhance control, and Eden's famous semi-parametric EQ. The WP-100 Bass Preamp also features D.I. output control on the front of the unit, a mono pre-EQ loop, stereo post-EQ, side-chain loop with front panel blend pot, variable crossover, stereo LED ouptut meters, tuner out, stereo and mono XLR ouptuts, and a defeatable limiter. Eden duplicates front-panel controls for compressor defeat, enhance, mute-to-tune, and turbo boost on a footswitch with lighted indicators that you connect to the WP-100 Navigator Bass Preamp via a standard MIDI cable.Tube input stage Compressor with variable threshold and rate controls Tube character control Enhance control Semi-parametric EQ DI output control on the front of the unit Mono pre-EQ loop, Stereo post-EQ Side-chain loop with front panel blend pot Variable crossover Stereo LED output meters Tuner out Stereo and mono XLR ouptuts Defeatable limiter Footswitch control for compressor defeat, enhance, mute-to-tune, and turbo boost 17"W x 3.5"H x 12"D

Phonic VocalMax A6400 Microphone Preamp $162.89 Phonic's VocalMax A6400 Mic Preamp has been compressed into a single rackmount unit and features a mic preamp, noise gate, tube emulation, tone control, a built-in compressor, dual-band parametric EQ and a de-esser. Effective for any singer, the A6400 is an effective and versatile device that's practical in any situation calling for the livening of vocals and instruments.Classic discrete transistor with instrument input Tube emulator for creating realistic tube and tape saturation sounds Precision gate for smooth noise reduction Professional compressor with full set of parameter controls Tone controller with overdrive, bass, and brightness control 2-band parametric EQ De-esser for removing excess sibilance from vocal tracks High-performance VCA's for generating extremely natural sounds Balanced XLR and 1/4" TRS inputs and outputs Illuminated Buttons for easy monitoring of operation status

Used Swr Marcus Miller Bass Preamp $782.99 SWR partnered with Marcus Miller to create this bass preamp. Millerarguably the most influential bassist of his generationconsiders this SWR bass preap the ultimate tool for bassists. Marcus says it's "The missing link between your bass and a great sound!" Working closely with SWR engineers, Marcus painstakingly customized the features of this preamp to accommodate his own distinctive array of tones, while taking into consideration the needs of bassists of all styles. The resulting SWR Marcus Miller Bass Preamp is simply one of the most versatile bass products available.Marcus Miller-modified Aural EnhancerComplete EQ Bypass capability (including Aural Enhancer)Bass Intensifier circuitryAll-tube Direct OutSWR studio-quality, tube-driven compressor"Comp-Position" - allows compression pre- or post-EQBoost feature with compressor blendFive-year transferable warrantyMade in the USA

Used Phonic Vocalmax A6400 Microphone Preamp $162.89 Phonic's VocalMax A6400 Mic Preamp has been compressed into a single rackmount unit and features a mic preamp, noise gate, tube emulation, tone control, a built-in compressor, dual-band parametric EQ and a de-esser. Effective for any singer, the A6400 is an effective and versatile device that's practical in any situation calling for the livening of vocals and instruments.Classic discrete transistor with instrument input Tube emulator for creating realistic tube and tape saturation sounds Precision gate for smooth noise reduction Professional compressor with full set of parameter controls Tone controller with overdrive, bass, and brightness control 2-band parametric EQ De-esser for removing excess sibilance from vocal tracks High-performance VCA's for generating extremely natural sounds Balanced XLR and 1/4" TRS inputs and outputs Illuminated Buttons for easy monitoring of operation status

Markbass Studio Pre Bass Preamp $956.99 Top Italian session bassist Paolo Costa (Alejandro Sanz, Sergio Mendes, Laura Pausini) teamed up with Markbass to design the Studio Pre, a high-quality bass preamp ideal for both studio and live applications. It's an excellent studio tool for recording bassists, combining two channels: CLEAN and AMP. CLEAN is a pristine direct channel which features a pure parametric filter EQ for fine-tuning your sound to perfection. The AMP channel provides three types of distortion (two tube-driven and one solid state) to mix in with the clean channel. To better personalize your sound, there are two more EQ controls, Variable Pre-shape Filter (VPF) and high-pass filter (so you can apply distortion to only the high end), and push-pull knobs give you the ability to store your distortion settings. The professional compressor on the amp channel helps you tame the edges. The preamp's back-end offers three balanced XLR outputs so you can record each channel separately or together. The Studio Pre is an indispensable addition to any recording bassist's gear arsenal.Designed by Markbass and top studio session bassist Paolo CostaCombines two channels: CLEAN and AMPCLEAN is direct channel with parametric filter EQAMP channel has 3 types of distortion (2 tube-driven, 1 solid state)Variable Pre-shape FilterHigh-pass filterPush-pull knobs for storing distortion settingsPro compressor on the amp channel3 balanced XLR outputs for recording channels separately or together1/4" input jack works with both passive and active bassesGain knob for inputGround lift switches for eliminating hum for both AMP and CLEANchannels as well as out for outputTuner out sends unbalanced signal sent to a tuner, amp or recording equipment not needing a balanced signalSend and Return Effect ensures main signal continues even if something dies in your effects chainDual-sided fiberglass PC boards with lined perforations for high-quality solder connectionsSurface-mount components are silicon-sealed to isolate vibrationsComputer-grade pre-assembled ribbon connector cable harnesses and ribbons for noise-free operationIntegrated threaded posts for easy assembly/disassembly and added durabilityRigid 2mm thick aluminium chassis for a long-lasting finish

A Designs Hm2 CompressorNail $2565 A Designs Audio HM2 Compressor "NAIL"After taking the recording industry by storm with the Pacifica preamp, A Designs Audio has once again outdone themselves with the HM2 Compressor "NAIL." It's exceedingly rare for a new piece of recording equipment to arrive on the pro audio scene that's truly ahead of its time or sets a new standard. The A Designs HM2 Compressor "NAIL" does both. And they're not alone on that. Almost immediately after its debut to the audio world, The NAIL compressor was awarded a "Mix Certified Hit" by Mix magazine. The NAIL is a feedback-, diode-based design. In building the NAIL, A Designs' goal was to create a hybrid of tube and solid-state technology that would integrate with the digital world, yet deliver analog warmth with a hint of color and richness to your recordings. What makes The NAIL compressor unique? Three features that set the NAIL apart from ordinary compressors are Hard Threshold, Filter, and Mix. Due to the unique nature of the design, the NAIL will take you to places you have not experienced before, offering endless possibilities for controlling compression and envelope shaping. This new design doesn't require you to relearn compression from the ground up, but it will teach you some new tricks that are guaranteed to expand your sonic horizons. Among the unique controls of the NAIL compressor is the Hard Threshold, which works with three stages, Threshold, Hard Threshold, and Filter. With the Hard Threshold in the off-position the Threshold feature acts more like a Gain Reduction control. With the Hard Threshold engaged, you have your choice of filter frequencies and amount of compression. The Hard Threshold control ranges from Off to +18dB. The A Designs NAIL compressor has the Attack, Release, Threshold, and Gain controls found on standard compressors. However, ratio is not set by a front-panel control. The NAIL features a variable ratio that changes in relation to settings of the Threshold and Hard Threshold controls, as well as the amount of gain reduction. In this way, the NAIL compressor provides a much more musical-sounding style of compression instead of simply stonewalling an input signal. Mix The A Designs compressor's Mix feature is very a powerful tool providing an extremely valuable function for producers and mix engineers. It provides endless combinations of mixing the sound of the NAIL's compression with your audio signal path. You can go from "dry" to full-on compression, depending upon your needs or taste. With the Mix control, you can perform maximum compression on a signal, such as drums, and then blend it into the audio path. This is also referred to as parallel compression. You won't find this option on most compressors, and without it, you find yourself fighting the mix to achieve the right balance between normal and compressed signal. The NAIL compressor takes the fight out of it, and makes it easy to blend just the right amount of compression into your signal path. Filter Another uni

ART Voice Channel Tube Mic Preamp $429 The ART VoiceChannel is the answer to your recording and computer audio interface needs. Built to provide the ideal all-in-one input solution for analog or digital recording, the ART VoiceChannel is a true second-generation discrete Class-A microphone preamp capable of providing clean quiet gain while maintaining incredible transparency. An integrated fully variable powerful dynamics processor subtly controls transients and noise of the most demanding sources while the VoiceChannel's semi-parametric EQ offers wide tunability. For added versatility the EQ can be patched before or after the dynamics processor while separate insertion jacks allow you quick quiet in-line connectivity to external signal processing gear immediately after the mic pre-amp, before the EQ and dynamics processor in the signal path. Another insert patch point exists just before the A/D converters. Choose between a wide range of outputs including balanced analog output, 44.1 KHz to 192 KHz AES/EBU, S/PDIF, ADAT and USB. Both analog and digital meters provide a detailed indication of audio levels.Ideal input solution for any recording applicationTube microphone preamplifier with selectable plate voltage and variable Input impedanceExceptional warmth and definition from proven ART tube preamp designSmooth musical-sounding dynamics control including Compressor, Expander, De-Esser, GatePowerful parametric EQ selectable pre- or post-compressor in signal pathFlexible digital connectivity including ADAT Lite-pipe, AES/EBU, S/PDIF, TOSLink digital outputUSB direct-connect to computer or laptop

ART Voice Channel Tube Mic Preamp 889406661851 $214.5 The ART VoiceChannel is the answer to your recording and computer audio interface needs. Built to provide the ideal all-in-one input solution for analog or digital recording, the ART VoiceChannel is a true second-generation discrete Class-A microphone preamp capable of providing clean quiet gain while maintaining incredible transparency. An integrated fully variable powerful dynamics processor subtly controls transients and noise of the most demanding sources while the VoiceChannel's semi-parametric EQ offers wide tunability. For added versatility the EQ can be patched before or after the dynamics processor while separate insertion jacks allow you quick quiet in-line connectivity to external signal processing gear immediately after the mic pre-amp, before the EQ and dynamics processor in the signal path. Another insert patch point exists just before the A/D converters. Choose between a wide range of outputs including balanced analog output, 44.1 KHz to 192 KHz AES/EBU, S/PDIF, ADAT and USB. Both analog and digital meters provide a detailed indication of audio levels.Ideal input solution for any recording applicationTube microphone preamplifier with selectable plate voltage and variable Input impedanceExceptional warmth and definition from proven ART tube preamp designSmooth musical-sounding dynamics control including Compressor, Expander, De-Esser, GatePowerful parametric EQ selectable pre- or post-compressor in signal pathFlexible digital connectivity including ADAT Lite-pipe, AES/EBU, S/PDIF, TOSLink digital outputUSB direct-connect to computer or laptop

Used Art Voice Channel Tube Mic Preamp $390.39 The ART VoiceChannel is the answer to your recording and computer audio interface needs. Built to provide the ideal all-in-one input solution for analog or digital recording, the ART VoiceChannel is a true second-generation discrete Class-A microphone preamp capable of providing clean quiet gain while maintaining incredible transparency. An integrated fully variable powerful dynamics processor subtly controls transients and noise of the most demanding sources while the VoiceChannel's semi-parametric EQ offers wide tunability. For added versatility the EQ can be patched before or after the dynamics processor while separate insertion jacks allow you quick quiet in-line connectivity to external signal processing gear immediately after the mic pre-amp, before the EQ and dynamics processor in the signal path. Another insert patch point exists just before the A/D converters. Choose between a wide range of outputs including balanced analog output, 44.1 KHz to 192 KHz AES/EBU, S/PDIF, ADAT and USB. Both analog and digital meters provide a detailed indication of audio levels.Ideal input solution for any recording applicationTube microphone preamplifier with selectable plate voltage and variable Input impedanceExceptional warmth and definition from proven ART tube preamp designSmooth musical-sounding dynamics control including Compressor, Expander, De-Esser, GatePowerful parametric EQ selectable pre- or post-compressor in signal pathFlexible digital connectivity including ADAT Lite-pipe, AES/EBU, S/PDIF, TOSLink digital outputUSB direct-connect to computer or laptop

Art Voice Channel Tube Mic Preamp $429 The ART VoiceChannel is the answer to your recording and computer audio interface needs. Built to provide the ideal all-in-one input solution for analog or digital recording, the ART VoiceChannel is a true second-generation discrete Class-A microphone preamp capable of providing clean quiet gain while maintaining incredible transparency. An integrated fully variable powerful dynamics processor subtly controls transients and noise of the most demanding sources while the VoiceChannel's semi-parametric EQ offers wide tunability. For added versatility the EQ can be patched before or after the dynamics processor while separate insertion jacks allow you quick quiet in-line connectivity to external signal processing gear immediately after the mic pre-amp, before the EQ and dynamics processor in the signal path. Another insert patch point exists just before the A/D converters. Choose between a wide range of outputs including balanced analog output, 44.1 KHz to 192 KHz AES/EBU, S/PDIF, ADAT and USB. Both analog and digital meters provide a detailed indication of audio levels.Ideal input solution for any recording applicationTube microphone preamplifier with selectable plate voltage and variable Input impedanceExceptional warmth and definition from proven ART tube preamp designSmooth musical-sounding dynamics control including Compressor, Expander, De-Esser, GatePowerful parametric EQ selectable pre- or post-compressor in signal pathFlexible digital connectivity including ADAT Lite-pipe, AES/EBU, S/PDIF, TOSLink digital outputUSB direct-connect to computer or laptop

TL Audio Ivory 5001 4-Channel Preamp $999 The 5001 4-Channel Tube Mic Preamp offers four top-quality valve mic preamps in a single 2U package, and now boasts extra features including a discrete mic preamp stage, 30dB pad, instrument DI inputs, improved metering, and optional 24-bit digital output. The 5001 preamp's combination of sound and functions is guaranteed to bring out the best in any microphone from a low cost dynamic to a vintage large capsule condenser. Separate input and output level controls allow the valve stages to be driven harder if necessary for increased warmth, while still allowing the overall output level to be regulated--absolutely essential if recording direct to tape. The TL Audio 5001's output fader permits anything from complete attenuation through to +15dB of extra output gain--making it ideal for driving today's high-level digital recorders.Each channel of the 5001 preamp employs one half of an ECC83/12AX7A Sovtek dual-triode valve, run from a stabilized 150V DC supply. The valve stage is positioned just after the initial discrete mic preamp stage.About TL Audio TL Audio began manufacturing audio products in 1990, when the company - founded by Tony Larking - was largely involved in the restoration and re-selling of vintage equipment such as Neve and Trident recording consoles. The first TL Audio products were original Neve EQ modules, which were taken principally from broadcast consoles and re-packaged to make them suitable for music production studios. Shortly after this Tony Larking was introduced to David Kempson, a leading designer at Neve for nine years.By 1993 the demand for used valve outboard equipment had become very strong but most models such as the original Pultec and Fairchild valve devices were already extremely rare and expensive. There appeared an obvious gap in the market for brand new affordable valve products and the result was TL Audio's first valve product - the EQ-1 Dual Valve Equalizer. This product revolutionized the studio market by offering reliable, flexible, great sounding valve processing that was within the budget of most studios. The EQ-1 quickly attracted the interest of mainstream engineer/producers, with the first two production models going to Roy Thomas Baker (who had produced many of Queen and Foreigner's early recordings) and Chris Porter (who was working with George Michael and Take That).The EQ-1 was the first of what became known as the 'Classic' range, and was followed by what has become possibly TL Audio's best known product - the C-1 Dual Valve Compressor, which shot to stardom as Chris Fogel's mixdown compressor on Alanis Morissette's multi-million selling 'Jagged Little Pill' album. The Ivory SeriesWith the Classic range expanding to include more models, the growth in popularity of affordable digital recorders and mixers heightened the appetite for valve processing, which led to lower-cost ranges such as the Ivory models. The Ivory series of preamps, equalizers and dynamics devices has become TL Audio's best selling

Tl Audio Ivory 5001 4-Channel Preamp $999 The 5001 4-Channel Tube Mic Preamp offers four top-quality valve mic preamps in a single 2U package, and now boasts extra features including a discrete mic preamp stage, 30dB pad, instrument DI inputs, improved metering, and optional 24-bit digital output. The 5001 preamp's combination of sound and functions is guaranteed to bring out the best in any microphone from a low cost dynamic to a vintage large capsule condenser. Separate input and output level controls allow the valve stages to be driven harder if necessary for increased warmth, while still allowing the overall output level to be regulated--absolutely essential if recording direct to tape. The TL Audio 5001's output fader permits anything from complete attenuation through to +15dB of extra output gain--making it ideal for driving today's high-level digital recorders.Each channel of the 5001 preamp employs one half of an ECC83/12AX7A Sovtek dual-triode valve, run from a stabilized 150V DC supply. The valve stage is positioned just after the initial discrete mic preamp stage.About TL Audio TL Audio began manufacturing audio products in 1990, when the company - founded by Tony Larking - was largely involved in the restoration and re-selling of vintage equipment such as Neve and Trident recording consoles. The first TL Audio products were original Neve EQ modules, which were taken principally from broadcast consoles and re-packaged to make them suitable for music production studios. Shortly after this Tony Larking was introduced to David Kempson, a leading designer at Neve for nine years.By 1993 the demand for used valve outboard equipment had become very strong but most models such as the original Pultec and Fairchild valve devices were already extremely rare and expensive. There appeared an obvious gap in the market for brand new affordable valve products and the result was TL Audio's first valve product - the EQ-1 Dual Valve Equalizer. This product revolutionized the studio market by offering reliable, flexible, great sounding valve processing that was within the budget of most studios. The EQ-1 quickly attracted the interest of mainstream engineer/producers, with the first two production models going to Roy Thomas Baker (who had produced many of Queen and Foreigner's early recordings) and Chris Porter (who was working with George Michael and Take That).The EQ-1 was the first of what became known as the 'Classic' range, and was followed by what has become possibly TL Audio's best known product - the C-1 Dual Valve Compressor, which shot to stardom as Chris Fogel's mixdown compressor on Alanis Morissette's multi-million selling 'Jagged Little Pill' album. The Ivory SeriesWith the Classic range expanding to include more models, the growth in popularity of affordable digital recorders and mixers heightened the appetite for valve processing, which led to lower-cost ranges such as the Ivory models. The Ivory series of preamps, equalizers and dynamics devices has become TL Audio's best selling

Behringer Bass V-AMP Modeling Preamp $108.99 The Behringer Bass V-AMP Modeling Preamp lets you choose from 32 classic amps, 23 legendary speaker cabinets, and 16 killer effects models. Store your own presets in 125 memory locations. Full MIDI connectivity, plus it has Behringer's exclusive auto wah and rotary effects. Contains presets by such bass notables as Alphonso Johnson, Ken Taylor, and Hellmut Hattler.Other features include stereo headphone output with adjustable volume, super-precise and adjustable autochromatic tuner, presence and sweepable shift/shape control, studio-quality noise reduction, and sweepable 24dB Butterworth frequency crossover. The Behringer V-AMP will become your best friend in the studio and at the gig.32 authentic virtual amp models can be combined with any of the 23 speaker cabinet simulationsNoise gate, compressor, wah-wah, modulation effects, delay, and reverb125 memory locations, divided into 25 banks of 5 presets eachFacilitates direct recording without an extra ampAdjustable autochromatic tunerStereo headphone output with adjustable volumeExtremely low-noise instrument input ensures maximum instrument signal integrityStereo 1/4" line outputs controlled by master volume for live use as guitar preampComprehensive MIDI in, out/thru

Behringer Bass V-Amp Modeling Preamp $108.99 The Behringer Bass V-AMP Modeling Preamp lets you choose from 32 classic amps, 23 legendary speaker cabinets, and 16 killer effects models. Store your own presets in 125 memory locations. Full MIDI connectivity, plus it has Behringer's exclusive auto wah and rotary effects. Contains presets by such bass notables as Alphonso Johnson, Ken Taylor, and Hellmut Hattler.Other features include stereo headphone output with adjustable volume, super-precise and adjustable autochromatic tuner, presence and sweepable shift/shape control, studio-quality noise reduction, and sweepable 24dB Butterworth frequency crossover. The Behringer V-AMP will become your best friend in the studio and at the gig.32 authentic virtual amp models can be combined with any of the 23 speaker cabinet simulationsNoise gate, compressor, wah-wah, modulation effects, delay, and reverb125 memory locations, divided into 25 banks of 5 presets eachFacilitates direct recording without an extra ampAdjustable autochromatic tunerStereo headphone output with adjustable volumeExtremely low-noise instrument input ensures maximum instrument signal integrityStereo 1/4" line outputs controlled by master volume for live use as guitar preampComprehensive MIDI in, out/thru

Used Markbass Studio Pre Bass Preamp $956.99 Top Italian session bassist Paolo Costa (Alejandro Sanz, Sergio Mendes, Laura Pausini) teamed up with Markbass to design the Studio Pre, a high-quality bass preamp ideal for both studio and live applications. It's an excellent studio tool for recording bassists, combining two channels: CLEAN and AMP. CLEAN is a pristine direct channel which features a pure parametric filter EQ for fine-tuning your sound to perfection. The AMP channel provides three types of distortion (two tube-driven and one solid state) to mix in with the clean channel. To better personalize your sound, there are two more EQ controls, Variable Pre-shape Filter (VPF) and high-pass filter (so you can apply distortion to only the high end), and push-pull knobs give you the ability to store your distortion settings. The professional compressor on the amp channel helps you tame the edges. The preamp's back-end offers three balanced XLR outputs so you can record each channel separately or together. The Studio Pre is an indispensable addition to any recording bassist's gear arsenal.Designed by Markbass and top studio session bassist Paolo CostaCombines two channels: CLEAN and AMPCLEAN is direct channel with parametric filter EQAMP channel has 3 types of distortion (2 tube-driven, 1 solid state)Variable Pre-shape FilterHigh-pass filterPush-pull knobs for storing distortion settingsPro compressor on the amp channel3 balanced XLR outputs for recording channels separately or together1/4" input jack works with both passive and active bassesGain knob for inputGround lift switches for eliminating hum for both AMP and CLEANchannels as well as out for outputTuner out sends unbalanced signal sent to a tuner, amp or recording equipment not needing a balanced signalSend and Return Effect ensures main signal continues even if something dies in your effects chainDual-sided fiberglass PC boards with lined perforations for high-quality solder connectionsSurface-mount components are silicon-sealed to isolate vibrationsComputer-grade pre-assembled ribbon connector cable harnesses and ribbons for noise-free operationIntegrated threaded posts for easy assembly/disassembly and added durabilityRigid 2mm thick aluminium chassis for a long-lasting finish

Eden WTDI World Tour Direct Box and Bass Preamp Black $149.99 The WTDI World Tour Direct Box/Bass Preamp from Eden is something fans have been requesting for a while, and now Eden delivers! Much more than a direct box, the WTDI is like bringing a little Eden preamp to every stage and studio gig! Keep one handy in your gig bag, case, or on your pedalboard and use it to Eden-ize that junk box of an amp they gave you for backline at the gig by going direct into the power amp section. Or use it to add a 2nd, 3rd, or solo/boost channel to your current rig. The WTDI also works extremely well with acoustic guitars/basses. The rugged WTDI Direct Box/Bass Preamp is true bypass with both 1/4" and XLR (with ground lift) outputs. Besides 3 bands of tone control with bass boost and mid-shift functions, volume, and gain controls, Eden added variable compression and their legendary Enhance control. All this comes in a compact box complete with universal power supply. Also runs on most 12-18 volt-capable pedalboards and power bricks.Eden tone in a compact direct box/preamp Bass, Mid, Treble, Volume, Gain, Master, Enhance, and Compressor knobs Mid-shift and bass boost functions 1/4" and XLR (with ground lift) outputs True bypass

Eden Wtdi World Tour Direct Box And Bass Preamp Black $149.99 The WTDI World Tour Direct Box/Bass Preamp from Eden is something fans have been requesting for a while, and now Eden delivers! Much more than a direct box, the WTDI is like bringing a little Eden preamp to every stage and studio gig! Keep one handy in your gig bag, case, or on your pedalboard and use it to Eden-ize that junk box of an amp they gave you for backline at the gig by going direct into the power amp section. Or use it to add a 2nd, 3rd, or solo/boost channel to your current rig. The WTDI also works extremely well with acoustic guitars/basses. The rugged WTDI Direct Box/Bass Preamp is true bypass with both 1/4" and XLR (with ground lift) outputs. Besides 3 bands of tone control with bass boost and mid-shift functions, volume, and gain controls, Eden added variable compression and their legendary Enhance control. All this comes in a compact box complete with universal power supply. Also runs on most 12-18 volt-capable pedalboards and power bricks.Eden tone in a compact direct box/preamp Bass, Mid, Treble, Volume, Gain, Master, Enhance, and Compressor knobs Mid-shift and bass boost functions 1/4" and XLR (with ground lift) outputs True bypass

Jacques FA2 Fat Burner Compressor $129.95 Amazing boutique unit that saturates your tone and provides almost endless sustain. Dual outs and a bypass make it a perfect splitter and powerful output from the phone jack can overdrive your amp's preamp for bigger volume or easier breakup at lower volume. It's an amazing headphone amp as well, offering clean or compressed signal through the phones.Phone, Muscle, sustain, and volume controlsPhone and amp outsSmooth, strong sustainSafe preamp boost for your ampPowerful headphone out clean or compressedWorks great as a signal splitter

Jacques Fa2 Fat Burner Compressor $129.95 Amazing boutique unit that saturates your tone and provides almost endless sustain. Dual outs and a bypass make it a perfect splitter and powerful output from the phone jack can overdrive your amp's preamp for bigger volume or easier breakup at lower volume. It's an amazing headphone amp as well, offering clean or compressed signal through the phones.Phone, Muscle, sustain, and volume controlsPhone and amp outsSmooth, strong sustainSafe preamp boost for your ampPowerful headphone out clean or compressedWorks great as a signal splitter

Tube-Tech CL 1B Compressor $3490 The all-tube amplified Tube-Tech CL 1B Compressor has become to go-to compressor for top studios, producers and engineers. Known for the marvelous sonic characteristics it imparts without making its presence obvious, the CL 1B particularly shines on vocals. The CL 1B also offers the ability to link up to ten units together and a unique attack/release feature, not found on other compressors, that enables two CL 1Bs to provide program-dependent, overall mix compression.Tube-Tech CL 1B Compressor, First Take:All-tube-amplified optocompressorNon-degrading gain reduction elementUnique Fix/Man control allows automatic program-dependent operation Link bus allows up to ten CL 1Bs to be linked togetherBalanced I/O and floating transformersAll-Tube AmpifierThe amplifier consists of two tubes (valves) in push-pull configuration (one ECC 83 as the pre-amp and phase splitter, and one ECC 82 as the output stage), and an output transformer. The power supply for the preamp and phase splitter are stabilized and the heaters of both tubes (valves) are fed with a stabilized DC voltage. The whole amplifier (including input and output transformer) and the power supplies are placed on one PC-board. Both input and output are balanced (600 Ohms) and fully floating. The in/out key switches the compressor in and out without clicks.The side chain is the only part of the compressor that contains semiconductors. They are used for three reasons: First, they do not affect the sound reproduction. Second, they have a high slew rate, which is of importance for the performance of the compressor in regard to how fast it responds to input signals, and third, they don't take up much room. It contains two J-FET quad op-amps, one npn-transistor and one FET-transistor, which handles the signal for the gain-reduction element. Non-Degrading Gain Reduction ElementThe CL 1B differs from many other compressors, in that the gain reduction element is made from a non-semiconductor element, which in itself has a very low harmonic distortion and none of the non-linearity problems involved when using most semiconductor elements. Furthermore there is no long-term degradation of the element thus giving it almost infinite life. This signal processor is placed after the input-transformer of the compressor and followed by an all tube-based amplifier with a gain of 0dB to +30 dB. Thus the signal is not fed through any semiconductor circuitry on its way to the output. Unique Fixed/Manual Attack and Release ControlTo control attack and release, the CL 1B contains two time constants circuits: fixed attack and release times and variable attack and release times. The three position attack/release select switch makes it possible to use these two circuits separately, or combine their functions. This setting (Fix/Man) provides a unique feature not available in other compressors. In the combined mode, the attack- and release controls make it possible to obtain a complex release-time slope that is program depend

Tube-Tech Cl 1B Compressor $3490 The all-tube amplified Tube-Tech CL 1B Compressor has become to go-to compressor for top studios, producers and engineers. Known for the marvelous sonic characteristics it imparts without making its presence obvious, the CL 1B particularly shines on vocals. The CL 1B also offers the ability to link up to ten units together and a unique attack/release feature, not found on other compressors, that enables two CL 1Bs to provide program-dependent, overall mix compression.Tube-Tech CL 1B Compressor, First Take:All-tube-amplified optocompressorNon-degrading gain reduction elementUnique Fix/Man control allows automatic program-dependent operation Link bus allows up to ten CL 1Bs to be linked togetherBalanced I/O and floating transformersAll-Tube AmpifierThe amplifier consists of two tubes (valves) in push-pull configuration (one ECC 83 as the pre-amp and phase splitter, and one ECC 82 as the output stage), and an output transformer. The power supply for the preamp and phase splitter are stabilized and the heaters of both tubes (valves) are fed with a stabilized DC voltage. The whole amplifier (including input and output transformer) and the power supplies are placed on one PC-board. Both input and output are balanced (600 Ohms) and fully floating. The in/out key switches the compressor in and out without clicks.The side chain is the only part of the compressor that contains semiconductors. They are used for three reasons: First, they do not affect the sound reproduction. Second, they have a high slew rate, which is of importance for the performance of the compressor in regard to how fast it responds to input signals, and third, they don't take up much room. It contains two J-FET quad op-amps, one npn-transistor and one FET-transistor, which handles the signal for the gain-reduction element. Non-Degrading Gain Reduction ElementThe CL 1B differs from many other compressors, in that the gain reduction element is made from a non-semiconductor element, which in itself has a very low harmonic distortion and none of the non-linearity problems involved when using most semiconductor elements. Furthermore there is no long-term degradation of the element thus giving it almost infinite life. This signal processor is placed after the input-transformer of the compressor and followed by an all tube-based amplifier with a gain of 0dB to +30 dB. Thus the signal is not fed through any semiconductor circuitry on its way to the output. Unique Fixed/Manual Attack and Release ControlTo control attack and release, the CL 1B contains two time constants circuits: fixed attack and release times and variable attack and release times. The three position attack/release select switch makes it possible to use these two circuits separately, or combine their functions. This setting (Fix/Man) provides a unique feature not available in other compressors. In the combined mode, the attack- and release controls make it possible to obtain a complex release-time slope that is program depend